Human geographers have been at the forefront of research that examines the relationships between space, culture and society. This volume contains twenty-one essays, published over the past thirty years, that are iconic instances of this investigative field. With a focus on four broad themes - landscape, identity, colonialism, nature - these essays represent some of the best and most innovative interventions that geographers have made on these topics. From the visual to the corporeal, from rural Ceylon to urban America and from the sixteenth century to the twenty-first, this volume brings together a set of theoretically sophisticated and empirically grounded works.

Human geographers have been at the forefront of research that examines the relationships between space, culture and society. This volume contains twenty-one essays, published over the past thirty years, that are iconic instances of this investigative field. With a focus on four broad themes - landscape, identity, colonialism, nature - these essays represent some of the best and most innovative interventions that geographers have made on these topics. From the visual to the corporeal, from rural Ceylon to urban America and from the sixteenth century to the twenty-first, this volume brings together a set of theoretically sophisticated and empirically grounded works.

This book explores the relationships between empire, natural history, and gender in the production of geographical knowledge and its translation between colonial Burma and Britain. Focusing on the work of the plant collector, botanical illustrator, and naturalist, Charlotte Wheeler-Cuffe, this book illustrates how natural history was practised and produced by a woman working in the tropics from 1897 to 1921. Drawing on the extensive and under-studied archive of private and official correspondence, diaries, sketchbooks, photographs, paintings, and plant lists of Wheeler-Cuffe, this book advances our conceptual understanding of the 'invisible’ historical geographies underpinning scientific knowledge production, by focusing on the role of a female actor in the complex gendered setting of colonial Burma. Using a bio-geographical approach, this analysis reconceptualises female agency beyond authorship and publication, and stresses how Wheeler-Cuffe represents an instantiation of the occluded contribution of women to the historiography of natural history. This book highlights Wheeler-Cuffe’s production of scientific knowledge about Burma in the context of her relationship, as a white Western woman, with local, indigenous actors and details her practice of fieldwork and its embodied geographies in different parts of Burma, while she maintained the domestic superstructure of a colonial wife. This book will be of interest to advance-level students and researchers in historical and cultural geography; the history of science; feminist geography; women and natural history; colonial Burma and imperialism; and botanical art and illustration.

**Named a 2014 Choice Outstanding Academic Title** Combining coverage of key themes and debates from a variety of historical and theoretical perspectives, this authoritative reference volume offers the most up-to-date and substantive analysis of cultural geography currently available. * A significantly revised new edition covering a number of new topics such as biotechnology, rural, food, media and tech, borders and tourism, whilst also reflecting developments in established subjects including animal geographies * Edited and written by the leading authorities in this fast-developing discipline, and features a host of new contributors to the second edition * Traces the historical evolution of cultural geography through to the very latest research * Provides an international perspective, reflecting the advancing academic traditions of non-Western institutions, especially in Asia * Features a thematic structure, with sections exploring topics such as identities, nature and culture, and flows and mobility

Nuala C. Johnson explores the complex relationship between social memory and space in the representation of war in Ireland. The Irish experience of the Great War, and its commemoration, is the location of Dr Johnson's sustained and pioneering examination of the development of memorial landscapes, and her study represents a major contribution both to cultural geography and to the historiography of remembrance. Attractively illustrated, this book combines theoretical perspectives with original primary research showing how memory literally took place in post-1918 Ireland, and the various conflicts and struggles that were both a cause and effect of this process. Of interest to scholars in a number of disciplines, Ireland, The Great War and The Geography of Remembrance shows powerfully how Irish efforts to collectively remember the Great War were constantly in dialogue with issues surrounding the national question, and the memorials themselves bore witness to these tensions and ambiguities.

The Irish experience of the Great War, and its commemoration, is the setting for Nuala Johnson's pioneering examination of "the landscape of the national imaginery". Her study represents a major contribution to cultural geography and to the historiography of remembrance. The book combines theoretical perspectives with original primary research revealing how memory literally occurred in post-1918 Ireland, and the various conflicts and struggles that were both cause and effect of the process.

Botanical gardens brought together in a single space the great diversity of the Earth's flora. They displaced nature from forest and foothill and re-arranged it to reveal something of the scientific principles underpinning the apparent chaos of the wild. "Nature Displaced, Nature Displayed" shows how the design and display of such gardens was not determined by scientific principles alone. Through a study of three botanical gardens -- belonging to the University of Cambridge, the Royal Dublin Society, and the Belfast Natural History Society -- the author shows how the final outcome involved a complex interplay of ideas about place, identity, empire, botanical science, and especially aesthetics, creating spaces that would educate the mind as well as please the senses. This highly engaging book offers a wealth of fresh insights into both the history and development of botanical gardens as well as connections between science and aesthetics.

Botanical gardens brought together the great diversity of the Earth's flora. They displaced nature from forest and foothill and re-arranged it to reveal something of the scientific principles underpinning the apparent chaos of the wild. Through a study of three botanical gardens, belonging to the University of Cambridge, the Royal Dublin Society and the Belfast Natural History Society, this book shows how the design and display of such gardens was not determined by scientific principles alone. It explores how the final outcome involved a complex interplay of ideas about place, identity, empire, botanical science and aesthetics, creating spaces that would educate the mind as well as please the senses. This highly engaging book offers a wealth of fresh insights into both the history and development of botanical gardens as well as connections between science and aesthetics.

**Named a 2014 Choice Outstanding Academic Title** Combining coverage of key themes and debates from a variety of historical and theoretical perspectives, this authoritative reference volume offers the most up-to-date and substantive analysis of cultural geography currently available. * A significantly revised new edition covering a number of new topics such as biotechnology, rural, food, media and tech, borders and tourism, whilst also reflecting developments in established subjects including animal geographies * Edited and written by the leading authorities in this fast-developing discipline, and features a host of new contributors to the second edition * Traces the historical evolution of cultural geography through to the very latest research * Provides an international perspective, reflecting the advancing academic traditions of non-Western institutions, especially in Asia * Features a thematic structure, with sections exploring topics such as identities, nature and culture, and flows and mobility